Our favourite Christmas songs for piano (intermediate level)

Music arranged by Nikki Iles is always incredibly popular with our pianists, particularly teenagers and adults learning the piano as the jazzy arrangements appeal to a wide audience.

Here is an excerpt of The Christmas Song (Merry Christmas to You) taken from Nikki’s book Jazz On A Winter’s Night Book 1


Newly released, Nikki’s Jazz On A Winter’s Night Book 1 is as fantastic as the first book! Here is We Three Kings:


The jazzy tunes keep coming! Here’s Silent Night from ‘A Jazzy Christmas – Piano
Buy the Book: http://amzn.to/2j2OcgP

Students to Enter the Clementi Junior Piano Festival

Clementi Junior Piano Festival

Non-Competitive Class 1
Repertoire
Online Entry Form

Students to enter:
Lucille
Elliot
Ella W
Edie L
Aniah
Alex S
Mickey
Evan
Susanna
BinBin
Alice


Non Competitive Class 2

Suggested repertoire:

Grade 3: Spanish Dance “Guaracha” [Download Sample] from Repertoire Book Level 4 (Alfred Music Publishing) or Instant Download from [SheetMusic2Print]

Grade 4: Grand Waltz [Download Sample page 1 of 2] from Recital Winners No. 1 edited by Carole L. Bigler, Valery Lloyd-Watts (Alfred Music Publishing)

Online Entry Form

Students to enter:
Samson
William
Thomas
Maggie
Bonnie
Yuchen
Alex McL


Competitive Class 3

Online Entry Form

Rachel
Rowan

Trinity Music Exams: Spring 2018

If you are preparing for an exam in Spring 2018, here is the information you need to know in order to be ready for the next exam session.

What Books Do I Need? Scale Book | Initial Pieces | Aural Book | Sight Reading

Pass, Merit or Distinction? We only enter students when we feel they are ready to comfortably achieve a pass in their exam. However many students would like to aim higher and often ask us how to attain the Merit and Distinction marks. Preparation is the key for success. All students will be nervous on exam day so it is important that you have performed regularly so that you have strategies in place to cope with the nerves. Our second tip is to thoroughly prepare aural and musical knowledge (MK) well in advance of the exam, not leaving it until the last few weeks before the exam. We have worksheets below for MK and there is a very comprehensive web site you can use every day at home for aural training in the run-up to the exams. You can even use this when you are on holiday or not near a piano.

All students must perform their pieces at a festival or student recital before entering for the exam. This ensures that your pieces are performance-ready and gives you the confidence to perform under pressure.

24 February 2018: Student Recital. The ideal informal setting to try out your exam pieces. [Register Here].

For those entering the Summer session:
10 June 2018: Dulwich Music Festival 

What Should I Be Practising at home? Aural Tests: The online aural tests must feature at least twice a week in your practice schedule. There is a small monthly fee to subscribe to the tests and you can send your progress chart to your teaching to see which areas need extra attention. https://www.e-musicmaestro.com/members/auraltests

What Should I Be Practising at home? Musical Knowledge: This section tests your knowledge of the theory of music. We have a handy worksheet for Initial for you to fill in, discuss with your teacher, and revise with your parents at home each week. You can produce your own worksheets for higher grades using this one as the basis. http://www.se22piano.co.uk/wp-content/uploads/Initial-Musical-Knowledge.pdf

What Should I Be Practising at home? Sight-Reading: Even if you are not choosing this as an option for your exam, all students must work through the sight-reading book as this will help prepare you for the next grade. Work through two exercises a week at home. Give yourself one minute to look through the piece: Check if there are any sharps or flats in the key signature. Use your rhymes to name the first note in each hand and put the correct finger number onto this note. If you have identified any black notes in the key, do make sure you touch the correct black key and rest your hand in this position. As you play, add in the dynamics, tempo marking and any other performance directions.

What Should I Be Practising Over the Christmas break? Pieces, Scales and Exercises. You can see the breakdown of marks below. Your pieces are 66% of the marks, the Technical work (scales, broken triads/chords/arpeggios and Exercises) are 14% and the Supporting Tests (Musical Knowledge and Aural) accounts for 20% of the mark.